Sometime I switch back to the Accuphase amp,but no way it comes near. Voices are lovely sweet but transparent,even in real hight reflected.Īnd piano.o yeah,really ringing as in reality,you can truly hear the hole thing. The croft is fore a tube amp very fast and sounds more powwerfull then you would expect. Hall dimensions can really be heard in good recordings, translated in your room. Invalvement is the keyword here,expression and soundstage are unbeliefable.Ĭopper instruments really shine and have power,without sounding harsh or sharp. The sound is absolutely natural,and the instruments and voices are reallife. To begin with ,this combination sounds even better than with solid state gear. I use the croft tube amp with them now,and i can give a good impression yet with tube/faber sound. This is my second review of this little performer,2 years later. They truly sound like musical instruments themselves, which what I think Sonus Faber is after. I think good British amps like the Regas or Naims typically work well with these. My Rega Mira is able to drive them very well. They were too polite for anything past some calm jazz or the human voice (which was beautiful by the way). The Spendor S3/5's were a brilliant speaker, but they didn't move me. I strongly dislike clinical or bright sound, but I don't want a boring speaker either. From what I understand the Concertino Home's have a little better resolution and dynamic response, but are not quite as sweet and full as these. I find they can play all types of music very well. They have excellent pitch and great dynamics. None had the perfect but non fatiguing treble. None had a modicum of the sweet yet controlled bass. None of them were able to disappear like the Concertinos. I've gone through: Linn Kans mk1 and 2, Spendor S3/5, Castle Richmond 3's, ADS, Regas, Totem's. I have tried many bookshelf speakers at this point and this one really just wins hands down. This is the first speaker I've owned that I've fallen in love with.
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